‘New York Times bestselling author and illustrator, Kazu Kibuishi, created extraordinary new covers for each of the seven
Harry Potter books.
In each of the new cover illustrations he perfectly captures a
pivotal moment from that specific book.’
I’ve been keen to do a blog post on the exciting new Scholastic (US) and Bloomsbury (UK) Harry Potter covers so here I go! I’m going to start by looking at the new US covers as I absolutely adore the new illustrations – I think Kazu Kibuishi has taken a lot of inspiration from the original covers (the UK ones have gone in a wild new direction). Kibuishi has retained a similar style, though his drawings have a greater depth to them – they almost look three-dimensional!
He has also used the finer details from each book, and from the world in general, to render a rich fabric to the cover designs. I also think (and this is entirely my preference) that he has selected much better scenes from the book in which to place the characters on the cover. The moment where Diagon Alley is revealed to Harry, and he takes that first stroll down its cobbled streets, is the moment where everything becomes real to him. Up until that point, Hagrid’s words could still unravel. When Harry sees the Wizarding World for himself, the story really begins. The new cover places Harry in the heart of Diagon Alley and I thought this was a much more apt welcome to new readers.
There’s also something much more adult about these covers, despite the fact that they are still targeting children. I think he has taken a leaf out of the book of the film adaptations and chosen to show the dark side of the Harry Potter story. And it is pretty dark when you think about it. And I think any rendering if the cover, or the story itself, that attempts to disguise the inherent darkness of the text is doing it an injustice, because it’s the darkest moments that really reveal the soul of the story. It’s the most terrible twists that bind you to Harry and his world. Continue reading